The 2010 01SJ Biennial (ZERO1) presents artwork, performance, special events, and talks from September 16th through 19th under the theme, “Build Your Own World.”
swissnex San Francisco supports three projects included in this year’s interdisciplinary, multi-venue digital art Biennial. I-Weather as Deep Space Public Lighting, by fabric | ch, in the South Hall proposes an open source, artificial climate and public light source based on human metabolism that could be distributed through an imaginary “Deep Space Internet” to intergalactic colonies. Tomato Quintet, by Chris Chafe, Greg Niemeyer, Sasha Leitman, and Curtis Tamm, also shows in the South Hall. This piece both sonifies and visualizes the difference in air quality between a chamber housing ripening tomatoes and the ambient environment. At the San Jose Museum of Art, artist Camille Scherrer’s Le Monde des Montagnes (The World of Mountains) blends low and high tech in an interactive, ditigal fairy tale. Her augmented reality storybook lets viewers flip through the pages only to find magical animations appear on a nearby computer monitor.
With support from Pro Helvetia, the Swiss Arts Council. Stay tuned for related event announcements.
Retro-Tech Gallery Talk September 16, 2010 at 12:00 pm With Kristen Evangelista, associate curator and curator of the exhibition and Camille Scherrer
fabric | ch is Christian Babski, Stéphane Carion, Christophe Guignard, and Patrick Keller. The Lausanne, Switzerland team formulates new architectural proposals and produces radical livable spaces. In 2001, architect Philippe Rahm and fabric | ch set up I-Weather.org, an open source, artificial climate based on human metabolism, circadian rhythms, and light therapy research. I-Weather.org envisioned synchronizing and distributing climate to any physical or digital space connected to I-Weather’s server. In 2008, NASA announced the first successful communication with a distant spacecraft 20 million miles away via the Deep Space Internet, a model for a forthcoming interplanetary Internet. At the 01SJ Biennial, fabric | ch takes this idea to its conclusion by setting up I-Weather Deep Space Public Lighting, a metabolic public light source distributed through the imagined Deep Space Internet spaceships and intergalactic colonies.
Tomato Quintet (2007/2010), by Chris Chafe, Greg Niemeyer, Sasha Leitman, and Curtis Tamm
Tomato Quintet (2007/ 2010) is a “musification” and visualization of the air quality differences between a container of ripening tomatoes and the ambient environment. Tent walls made from sheets of Mylar are induced to vibrate through transducers attached to the top and bottom. Visitors to the tent will find a Plexiglass chamber filled with green tomatoes. During the course of the show, the green tomatoes will ripen to perfection while air quality sensors measure the gas output (CO, CO2, NO2, plus temperature and light). The Tomato Quintet 2.0 software will compare the patterns and differences of air qualities in the two spaces and render them audibly through speakers and headphones. On the final day of the Biennial, the project will convert the ripe tomatoes into salsa for guests to enjoy during lunch, accompanied by the sounds of the tomato ripening data accelerated by a factor of 240X.
In Le Monde des Montagnes (The World of Mountains) (2008), Swiss artist and designer Camille Scherrer blends low and high tech to push storybooks into an interactive realm. She has created a digital fairy tale, enlisting both her background in illustration and new media art. As the reader turns the pages of an ordinary book, a nearby computer monitor displays the very same pages augmented with mysterious animations of birds and snowflakes. Scherrer created this magical illusion with custom software and a reading lamp that contains a hidden camera. Scherrer likes to play at the intersection of technology and art, looking for new fields of investigation. In Le Monde des Montagnes, she created her own universe inspired by the mountains where she grew up. She graduated in 2008 from the University of Art and Design, Lausanne (ECAL) in visual communication and works at EPFL+ECAL Lab, whose mission is to foster innovation at a crossroads between technology, design, and architecture. Her project was awarded Best European Design Diploma (Talent exhibition, Design huis, Eindhoven) and has been exhibited and published internationally.