Join us for the opening reception of PLACEMAKERS exhibit and hear how the artists from the US and Switzerland are inspired by 3D mapping software. They discuss their work and share insights into their process of finding these surreal yet familiar landscapes.
6:30 pm doors open
7:00 pm artist talks
7:30 pm Q&A
7:45 pm networking reception
9:00 pm doors close
October 21, 2014 – November 14, 2014
Uncanny yet familiar: Explore the weird world of Moments in Algorithmic Places (MAPs).
Books in Browsers
October 25, 2014
Spend a day hacking tools for online storytelling, expression and art.
Planet Mapping: The Science of 3D Maps
October 29, 2014
Find out what tools and techniques are enabling today’s modern cartographers to render 3D maps.
Regula Bochsler is a Swiss journalist, historian, documentary filmmaker, and artist. After her dissertation on domestic workers at the University of Zurich, she began a career at Swiss National Television (SRF), initially as a presenter and later as a reporter, producer, and documentary filmmaker. From 2004 to 2011, she was responsible for Kulturplatz, a weekly program on contemporary culture. Her areas of research have been a diverse range of social, cultural, and political topics: Among other projects she realized exhibitions about the history of Migros, one of Switzerland’s biggest retailers, Swiss advertising films and prostitution in her hometown Zurich.
Bochsler is the author of a biography of Swiss union leader Margarethe Faas (2003) and co-author of Leaving Reality Behind: etoy vs Etoys.com & other battles to control cyberspace (2003). In 2013 she started her media art project The Rendering Eye, which is based on Apple’s mapping service.
Jenny Odell is a Bay Area native/captive who makes use of secondhand imagery, most commonly from Google Earth. Her work attempts to bring into focus the specific, fragile, and physically determined characteristics of human existence by cataloguing its infrastructure. Odell’s projects have been featured at the Google Headquarters, Centre d’Art Santa Monica, Fotomuseum Antwerp, Les Rencontres d’Arles, and La Gaîté Lyrique in Paris. They have also turned up in TIME’s LightBox, the Atlantic, The Economist, WIRED, and European Photography. Having studied design at the San Francisco Art Institute and English at UC Berkeley, Odell makes work at the intersection of research and aesthetics, and has been frequently been compared to a scientist (specifically, a lepidopterist). She currently lectures at Stanford University and the San Francisco Art Institute.
Clement Valla is a Brooklyn based artist. His recent solo show ‘Surface Survey’ at Transfer Gallery in New York was an Artforum Critic’s Pick. His work was included in the “Paddles On!” auction at Phillips, organized by Lindsay Howard. His work has also been exhibited at The Indianapolis Museum of Art, Indianapolis; Museum of the Moving Image, New York; Thommassen Galleri, Gothenburg; Bitforms Gallery, New York; Mulherin + Pollard Projects, New York; DAAP Galleries, University of Cincinnati; 319 Scholes, New York; and the Villa Terrace Decorative Arts Museum, Milwaukee.
Valla received a BA in Architecture from Columbia University and an MFA from the Rhode Island School of Design (RISD) in Digital+Media. He is currently an associate professor of Graphic Design at RISD.
The exhibit and opening reception are part of Image as Location, a week that explores the relationship between people, pictures, and places brought to you by Books in Browsers, the Cultural Services of the French Embassy, the Goethe Institut, Gray Area Art and Technology, swissnex San Francisco, and the Berkeley Center for New Media.
*Image courtesy of Jenny Odell